Body Talk:

 

Movement for Actors

 

 

..and anyone with a body..

 

 

Body Talk is an invitation to:

become fully present in your body,
playfully open your heart,

release your natural voice,

and

create authentic conversations with your fellow players

- and your true, inner self!

 

 

Body Talk is "Yoga for the emotions".
You can stretch, exercise, and develop your emotional muscles.

 

Body Talk is a physical, emotional, spiritual,
and theatrical practice.


 * * * * * *

 

Every actor needs to move.  And the movement needs to fit the character, the script, and the director’s needs, yet come from within.

 

To act well, you need to move the body naturally, without seeming "forced", especially when playing a character very different from yourself.

 

But everyone - not just actors or actors-in-training - needs to develop the ability to "show up" physically - whatever their walk of life.  

 

Body Talk is for anyone with a body, who needs to communicate well.

 

 

In a Body Talk class you can learn:

 

  • to move in a more relaxed, yet very aware way.  The exercises are designed to side-step your "inner critic" which causes self-conscious, inhibited, or 'wooden' acting. 

  • to develop true actor's presence - to really "get into your skin" so you can act with authenticity. 

  •  to invent fresh responses, when the director asks you to find new and different ways to play a line, a scene, or a role. (Very important for your actor's tool kit!)

 

 

what past clients have said:

 

 "As a long-time actor and director, I have attended many physical workshops.  Kay Bradshaw's is the best.  With a no-nonsense approach, you get a great workout and you learn a lot about yourself, your body, and how to express character and emotions in ways you may not have tried before.  You make immediate strides, and it's fun."

 

Tom Mueller, (former) Artistic Director,

Ventura Area TheatreSports, Livery Theatre

 

The importance of exercise for an actor

 

Exercising, training, and relaxing the body, widely agreed as important to an actor's training, is often referred to as "tuning the instrument".  Many actors like to go to the gym, take Alexander lessons, or take dance classes.  

 

In a Body Talk class you can get a good workout - and you can choose the intensity: a gentle limber-up, or really vigorous aerobic exercise! 

 

But you will get more than just exercise.  

 

 

Connect your movement back to the art of acting

 

A Body Talk class also gives you very practical ways to incorporate movement into your craft.

 

When people think of movement for acting, they often think of mime, clowning, circus skills.. "physical theatre": highly energetic and stylized forms of performance

 

But not every actor is suited to these, and not every acting job calls for them!  Much of the acting you may be asked to do requires more subtle and naturalistic expression.

 

Voice work: Body Talk also includes the voice! Your vocal cords are part of your body. All voice acting requires being present in your body .

 

The techniques and tricks you will learn in a Body Talk class can be applied on camera, or in the most realistic styles of theatre - as well as in the most energetic physical theatre.

 

 

 

 

The importance of widening your emotional range

 

We all have habitual ways of moving.  The way we sit, stand, walk, breathe, and use our voice.. all conditioned by habit!

 

We also think in habitual ways.  We form habitual ways of feeling and expressing emotion. 

 

And the way we relate to others is guided and limited by habit. 

 

It is the actor's job to become aware of these habits, which form a palette to be used consciously in the art of performance.

 

In a Body Talk workshop, your own habits of moving your body are uncovered, and you can get clues to your habits of thinking, feeling, and relating to others. 

 

By exploring these habits in a playful way, you can widen your emotional range as well as develop interesting characters for performance, which are still authentically "you".

 

what past clients have said:

 

 "Kay's teaching style is intuitive, joyful, and sincere, effectively using music, movement, and theatre to challenge your limits and discover new ways of communicating.   An extremely useful gadget for every actor's and director's tool bag.  It uncovers your personal physical creativity, gets you out of your head and into your body, and gives you an exciting new vocabulary for creating a character."

 

Ryan Lee, acting coach, Director, youth program 2002-3, Ojai Shakespeare Festival

 

 

You also choose the energy level

 

 Whatever physical shape you're in, and however experienced you are, you will be able to do a Body Talk class.  You won't be asked to push your body beyond what it can or wants to do. 

 

 

So, what does a class look like? 

  • You will be exercising your body, but also carefully observing it. 
  • There will be some simple physical tasks to follow, designed to reveal your own body's inclinations and how it wants to move. 
  • You will begin on your own, focusing your attention on these tasks. 
  • Then, at some times, you will cooperate with another actor, or in unison with the whole group.

 

 

A vocabulary of movement

 

A Body Talk class gives you, as an actor or director, a vocabulary that can be applied directly in rehearsal. You will go away with a handy list of shorthand terms which will improve the communication and creative process among the groups you work with. And this can be adapted to the style and requirements of your ensemble or production.

 

    

To sum up: a Body Talk class:

  • is fun and a great way to keep fit
  • can be vigorous or gentle, to suit your body or the rehearsal space
  • bonds and builds unity in a group
  • provides a physical vocabulary for actors and directors
  • can be adapted to the needs of you or your group


about Kay Bradshaw

(they/them or she/her)

 

actor, voice artist, puppeteer, cabaret/drag artist, movement/ecstatic dance/breath-work coach, director, writer, teacher of drama, English, creativity, teamwork, cooperative games.

 

Kay has tiptoed through the fields of education and performance all their life, and believes that being playful leads to better art, better relationships, and a better world.

 

They have taught professional and amateur actors and school students on both sides of the Atlantic since 1979, and have a Masters level degree in Education.    

 

Kay can tailor the classes to the needs of any specific group.

 

Kay aims to raise awareness of gender roles, and to promote inclusion of all gender identities and expressions in any educational, creative or corporate environment—wherever possible in a playful way, with the aim of creating an atmosphere of safety and exploration.


Based in Sweden, Kay co-organises film festivals and cultural events to create safe
spaces for trans and gender diverse people. They also lead workshops on sexuality for trans people, and on diversity/inclusion for educators and leaders.

Former
ly known as Kevin, or Kaefan Shaw, their performance credits in TV and film include The Muppets and Spitting Image, a TV puppet satire show, where Kay's performance contributed to two Emmy Award wins. Theatre includes London Playback Theatre, Pocket Theatre Cumbria, Hoxton Hall, The Entertainers, and cabaret appearances as 'Mabellina Cliché.

 

Kay is available as a guest teacher/consultant and also for voice performance work and editing.